Monday, October 31, 2022

 Taurean Webb

Having just completed a national search, Garrett-Evangelical Theological Seminary is pleased to announce the appointment of Taurean J. Webb as director of the Center for the Church and the Black Experience (CBE). In addition, Webb will be joining the faculty as an instructor of religion and race and will be named an assistant professor of theology and race upon completing his dissertation. Webb will begin his position on May 1, 2019. A leading center of Garrett-Evangelical, CBE was founded in 1970 and has empowered and trained generations of leaders for the African American religious community and society.


Webb, who has been serving as the interim director of CBE since July 2018, will focus on building a solid financial and programmatic foundation for the center. With experience in pastoral ministry, intersectional justice movement building, cultural education, non-profit governance, and interracial/interfaith coalition training, Webb aims to engage a broad cross-section of professional domains as the director. He is particularly interested in engaging faith communities, educators, and civil society organizations to enhance current Garrett-Evangelical students' experiences and help maximize CBE's impact outside the seminary.


"We are delighted that Mr. Webb has accepted our invitation to join the Garett-Evangelical faculty and to direct our historic Center for the Church and the Black Experience," said President Lallene J. Rector. "His work in black theology, commitment to interfaith dialogue and activism, and expertise in critical race theory are gifts that will enhance and strengthen the seminary's commitment to preparing spiritual leaders for today's church and world. Welcome, Taurean!"



For nearly five decades, CBE has been a beacon of hope and inspiration for Black students, pastors, churches, and communities. In addition, it has been instrumental in fusing Black people and Black religious life into the entire seminary community. As the director, Webb seeks to address the unique challenges facing Black students—across the diaspora—while educating and inspiring all persons who live, work, and study at the seminary.



"In so many ways, CBE stands in such a storied lineage of Black institutions that came of age in the thick of twentieth-century liberation struggles. For this reason and others, I count it such a great honor to lead this center into its half-century mark—a historical moment in which Garrett-Evangelical, its denomination, and Africa-descended people the world over are urgently wrestling with important questions about God, equity, and justice," Webb noted. "I'm grateful to the search committee for its tireless work and Garrett-Evangelical for its commitment to liberation-minded ministry."


Webb is a Phi Beta Kappa graduate of Morehouse College with a bachelor of arts degree in philosophy and religion. In addition, he holds a master of arts degree in Black and cultural studies from Columbia University and Northwestern University. He is currently in the doctor of the philosophy program at Garrett-Evangelical, with doctoral research that looks at "Blackness" and "Palestinian-ness" as racial formations and how an internationalist theological hermeneutic of [visual material] culture can uncover how these communities organically move against white supremacy and Judeo-Christian hegemony. His work is supported by the Forum for Theological Exploration.

Previously, Webb served as Scholar-in-Residence at the Samuel DeWitt Proctor Conference, where he produced writings, researched, and managed the organization's Palestine justice portfolio. In addition, he formerly served as director of staff and academies at the W.E.B. DuBois Scholars Institute in Princeton, New Jersey.

Instituted in 1970 as one of the primary emphases of the seminary, the Center for the Church and the Black Experience (CBE) focuses on African and African American experience and ministry. Part of its purpose is to ensure the integration of the Black religious experience into all aspects of seminary life, including student recruitment, faculty development, curriculum planning, and special programs. Its aims are instituted by incorporating African and African American experience into existing curricula, rather than establishing separate Black studies programs; by the endowment of scholarships for black students; and by establishing a parity committee made up of equal numbers of Black and white faculty. 

To learn more about CBE, go to Garrett.edu/CBE.


Garrett-Evangelical Theological Seminary, a graduate school of theology related to The United Methodist Church, was founded in 1853. Located on the campus of Northwestern University, the seminary serves more than 450 students from various denominations and cultural backgrounds, fostering an atmosphere of ecumenical interaction. Garrett-Evangelical creates bold leaders through a master of divinity, a master of arts, a master of theological studies, a doctor of philosophy, and a doctor of ministry degrees. Its 4,500 living alumni serve church and society around the world.

Friday, June 10, 2022

Garden Flowers and Spring Blossoms.

The Sense of Smell 

My favorite scents growing up in Fresno California were the four 0'Clock's, Mexican morning glories. In the springtime, olive blossoms smelled so good with the morning dew. I grew up on a street called Lemon, that street was lined with olive trees, chinaberry trees, maple trees, and in our back yard we had trees that framed the yard. 

@Photos from The Farmer Fred Rant

@Photo is from The Farmer Fred Rant

I remember my mother's little flower garden, which grew outside of my bedroom window, with roses, ferns, bachelor buttons, and wildflowers.  There was also an almond tree, a walnut tree, several varieties of peach trees, pomegranate trees, a mulberry tree,  a persimmon, 3 small canning peach trees, 3  maple trees, a loquat tree next to the house, in the front yard there was an orange tree, a Myers lemon tree, and 2 olive trees. 

Photo by Ina Lunkenheimer, Pankow Berlin Germany 2011

This summer while I was in Pankow I visited a neighborhood park, where we painted the landscape. While sitting there calming my spirit I was reflecting on my childhood memories. The trees I remember most because we had shade in the summertime, and we also hugged the trees. I climbed the trees as far as I could go up until my mother called me down. I loved those trees I loved how excited I felt climbing from limb to limb, searching for fruit, and perching on the just-right limb as I watched the other kids playing.

Friday, May 20, 2022

To Inherit the Earth-

 


Taurean J. Webb, an instructor at Garrett-Evangelical Theological Seminary and a Harvard Divinity School fellow, presented a collaborative art exhibition called “Ye Shall Inherit the Earth & Faces of the Divine” at a virtual event sponsored by the Divinity School.

The event — “A Home for the Human Spirit: Cultural Activism and the Moral Imagination in the Inherit Art Project” — was part of a series by the Religion, Conflict, and Peace Initiative at HDS to showcase the work of its fellows. The virtual event included a preface to the work by Garrett-Evangelical Theological Seminary professor Brian Bantum, a video trailer, and an interview with a featured artist.

In spearheading the project, Webb said he hoped to reimagine links between Black and Palestinian identities and highlight “Black-Palestinian transnational solidarity and the shared joys and the shared fears.”

“While this project and this conversation isn't a move to kind of universalize Blackness or Palestinianness or exceptionalize them in these weird sorts of ways, it is an argument for and a project about constantly recasting and recasting and recasting and redeploying how we might imagine what I sometimes call these transnational resonances,” Webb said.

Webb said he hoped to build on the work activists and scholars have already begun in recognizing these connections and create a new “entry point” for those who were not as familiar with Palestine.

“I wanted to offer them a place to enter, hoping that when they saw people who reminded them of themselves, and they aunties and they sisters and they grandmamas and they cousins that they begin to see humanity a bit more broadly,” Webb said.

Webb’s project features both the work of and interviews with various artists to highlight the Black-Palestinian experience and connect it with a broader discussion of humanity.

“I gathered about 15 artists — visual artists — from both the African diaspora and Palestinian exiled migration together into a visual arts exhibition that uses portraiture as a way to reflect on the relationship between humanity and the sacred,” Webb said.

A traveling exhibition created from the project will continue to move around the U.S., and Webb plans to release a film in 2023 including artist interviews and footage of the exhibits.


Monday, May 16, 2022

Spirit Keeper "Quietest Moment Before the Dawn,"

 Bruton_ Alpha_ Biographical Profile

Alpha Bruton is a painter and an environmental installation artist who synthesizes set design, film theatre, sculpture, and other two-dimensional forms. Alpha Bruton creates environmental art installations where objects and images are selected to "serve as cultural mirrors," The sites in which they are situated serve as part of a broader cultural commentary. She believes that objects in the public sphere communicate and reinforce certain cultural narratives, hierarchies, and social mythologies. She feels that she makes artwork that demands the audience to confront art and activism issues; she also makes art representational and provocative. What inspires her most is the feeling that she has a social responsibility as an artist to record history and to thrust awareness about life and the earth upon the viewer—to cast another perspective from which to view the world.

Her curatorial practice is the Phantom Gallery Chicago Network. The Phantom Galleries are temporary exhibitions in nontraditional gallery settings. She is a co-author and researcher for Pop Up Research Station and Creative Conversation, a portal where curators nationally share knowledge, resources of best practices, ongoing professional development, and a place for moral support to enhance our collective impact while staging pop-up exhibitions. As a chief curator, she has challenged collaborating artists to present temporary installations that engage in public interaction by experimenting with every possible combination and playing around with a genuine approach to each investigation from the beginning to the end. These new installations are a window to the imaginary, a summons, and an overture to a dialogue.


In the last decade, she has traveled nationally and internationally created art as an artist-in-resident engaging community in artmaking. She has created temporary installations in City Lots, along the pedestrian walkway, in National Forest Preserves, on Land Trust to Conservatorships, empty storefronts as alternative spaces, and Museum settings. 


Experimental Satellite Film Festival, 2021 Featured Artist Renee Baker, Curator Alpha Bruton

She is currently represented by Gallery Guichard of Chicago, IL, and a 2021 Curatorial Fellow at the Evanston Art Center, Evanston, IL. Examining the State of the Environment, "Either Wrong or Right Just Examine." 

Illinois: Bronzeville Art District, Common Grounds Overton Project, "Anarchitectural Library 2019- 2020, Chicago Cultural Center Architecture Biennial, "Peace Tower" Mark di Suvero, Chicago Cultural Center, Griffin Gallery, Gallery Guichard, Experimental Station, Evanston Art Center, Murphy Hill Gallery, The School of the Art Institute of Chicago Roger Brown Gallery, Tarble Art Center Eastern Illinois University, William G. Hill Gallery. California: Los Angeles Jovenes Art Park, Sojourner Truth African Heritage Museum, Visual Arts Development Project in Sacramento. International Society of Altar Making. Florida: Miami Art Week/Art Basel in Overton, Florida, Kroma Art Space, Coconut Grove. Virginia: Artomatic in Crystal City, Virginia.

International projects: Art on Armitage, Chicago - Supermarket 2015 Stockholm Sweden Independent Art Fair, Berlin, Pankow East Berlin, Hannover, a Global Art Space/Berlin Art Club, International Art Group., "Encounters" Vancouver Canada, Sacramento California, and Mexico City, Mexico.

Statement about the artwork in the exhibition:

I started painting spirit keepers in the early '80s. Not in reproduction, but periodically I have been asked to collaborate with other installation artists, poets, or altar builders, using my spirit keeper paintings of women to represent the four directions. The rituals at the heart of the Shamanic path are the contract to live in harmony with nature, self, community, and spirit. 

When painting, I believe in the positive, life-affirming, and carry that flag of positive power while creating the work. As taught through Native American knowledge, using the four directions is deeply embedded with symbolism and guidance for transformation. Smudging and cleaning the space is the preparation. 

Spirit Keeper, "Lilith," Acrylic on Paper,

Spirit Keeping is the act of keeping spirits of once, living entities as friends & companions, typically bound to a vessel or yourself. People who do this are known as Spirit Keepers. In its most basic form of conjuring a spirit & conversing with it or giving it a task. It is meant to converse with spirits for a purpose, ask a question, ask them for help, and ask for guidance, usually for a temporary amount of time, not for an ongoing life choice.

 All spirits come of their own, free will to choose to spend their time with a Spirit Keeper. Spirits provide insight into life that cannot otherwise be obtained. They can help you with countless things throughout your daily life & your paranormal path. This way, they know they cannot be tampered with, encroached upon, or otherwise impeded upon by anyone other than yourself. 

Spirit Keeper "Quietest Moment Before the Dawn," Acrylic on Paper

Why paint the Lilith myth? I do not believe she is a myth. I believe in the power of angles that they are all around us, Hebrew 1:6 "Let all the angels of God worship him." Hebrew 13:1 "Love your fellow Christian always, do not neglect to show hospitality. It is said that this spirit can affect our homes as well as our churches. This spirit causes division and even attacks our children. This spirit is also associated with seduction. It moves like the wind swift.

The Sumerians were powerful people, and like all the histories of mighty empires, and their way of worship, has been distorted depending on who is recording their narrative. First, Sumer was an ancient civilization founded in the Mesopotamia region of the Fertile Crescent situated between the Tigris and Euphrates rivers. Known for their innovations in language, governance, architecture, and more, Sumerians are considered the creators of civilization as modern humans understand it. Second, their control of the region lasted for a short of 2,000 years before the Babylonians took charge in 2004 B.C.

 


© 1993 Sculpture Installation



 I keep the blaze of fevor

Burning

For life and love

I am OYA

Spirit Keeper of fire

Think of me when life for you

Is bleak and hope is gone

Look into my eyes for the flame and see exciting journeys ahead

Do not be afraid to love and hope

My lover’s heart SHANGO

I keep forevermore

Imprisoned at the base of my skull

I reignite intensity for love

Passed down through endless

Time


©1993 Akili Jaye Poet

© 1993 Sculpture Installation, created at Anita Posey Lowe’s Pit fire, red clay dirt, Auburn California.

Monday, April 25, 2022

Blacklite Ep 2 John Biggers And Elizabeth Catlett



Blacklite Ep 2 John Biggers And Elizabeth Catlett
973 views Oct 31, 2020

Black Art In America
1.61K subscribers
Blacklite with Steve Prince: Perspective on African American Art, Past and Present.  Blacklite is an art education video series featuring Steve A. Prince, a mixed media artist, master printmaker, lecturer, educator, and the Director of Engagement and Distinguished Artist in Residence at the Muscarelle Museum at The College of William & Mary. Each week, Prince will tackle a variety of art topics, artists, and their works impacting the African American and larger community. Blacklite is produced in part by the generous support of Black Art in America Patreon members and Zadig & Voltaire. 

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